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Hateful Tweets About Hateful Eight 70-mm Roadshow Projection Problems

Hateful Tweets About Hateful Eight 70-mm Roadshow Projection Problems

It seems there were more than eight people being hateful at the opening weekend showings of Quentin Tarantino’s Hateful Eight film and its much-advertised 70-mm roadshow experience. Despite a strong opening in terms of attendance, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Even screenings that were largely watchable still had minor noticeable glitches in the corners of the screen.

Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred at fewer than 1% of the weekend showings. However, the reaction on Twitter made it sound like a widespread issue, or as one user called it, an “epidemic.”

Although it’s understandable why audiences would be frustrated and disappointed, it should be noted that the projection issues were faults of exhibition (such as inexperienced projectionists) and not production problems. There was nothing wrong with the actual celluloid print of the film. Considering the positive reaction to the revival of the 70-mm format that audiences expressed in general, let the following reactions be a call for more capable projectionists and not proof that shooting on 70-mm is no longer a viable option.

Quotes from recent tweets:

“Intermission at a 70mm screening in San Jose. So far, three instances of frame going out of alignment. One full-out film break.”

“I’m officially apologizing to (removed) for thinking he was too “sky is falling” re: 70mm H8 screenings. It’s an epidemic at this point.”

“Best part of the broken 70MM projector/Hateful 8 print at King of Prussia? The snide theater manager “This is why we don’t do film.”

“Saw it in Toronto. it was out of focus for at least 20 minutes before they could fix it.”

“Not so bad that it ruined the movie, but bad enough to be an annoyance the entire runtime.”

“Saw it today, image was blurry and fuzzy the entire time. Seemed like they gave up trying to fix it after the intermission.”

“Heard about issues in Vancouver, BC too. Switched to digital without telling the customers until the end of the movie.”

For those of you not lucky enough (or unlucky, as the case may be) to see one of the limited-release “roadshow” screenings, you’ll be able to lay eyes on the movie one day sooner than expected.  Due to popular demand, the wide-release of Hateful Eight at more than 2000 theaters around the country, has been moved up. It will open digitally on December 30th,  a day in advance of its planned New Years Eve release.