The Best Of 2015. Our Favorite Movies
There were some great movies to come out in 2015. From Mad Max: Fury Road, Inside Out, The Martian, Sicario, and Star Wars: The Force Awakens, it was really a tremendous year for film. Which is why we at the Film Box would like to look back at our very favorite movies of 2015. If you missed any of these over the course of the year don’t hesitate to catch up with them at a later date. These 2015 standouts are definitely worth your time.
Joseph Jo: Out of all the films that were released in 2015, Sicario was eventually the one that had me in awe throughout the film. The only thing I knew about this film was Denis Villeneuve was the director where couple years back I had the chance to watch his earlier work, the Incendies, which is another one of my favorite. I’m usually one of those theater goers, where I wait until everything dies down, and thankfully I was glad I went to watch Sicario few months after the release, because this is one of those films where you just have to watch alone in the big screen without knowing nothing about it.
I knew from the movie poster that Emily Blunt was starring along with Josh Brolin and Benicio Del Toro. Usually I don’t really care who’s in the picture, because ultimately I care about the story, structure, editing and how it was directed. And may all the deities bless the production team, because this movie made me feel exactly like Emily Blunt’s character throughout the movie, and that’s how I feel the movie was intended to be. If I had bothered to even read the tagline, I probably would have never felt the chill when Benicio’s character gave that eerie vibe when he said, “Welcome to Juarez.”
Heart Of A Dog
Helen Highly: I would recommend Laurie Anderson’s “Heart of a Dog” as Best Film of the Year. This 75-minute, poetic film-collage essay combines Anderson’s personal stories and musings with quotations from renowned philosophers, ink drawings on paper, printed words, animation, scratchy old 8mm home-movie clips, new footage of landscapes, surveillance camera footage with time codes, graphic images such as computer icons, and her ingenious use of music.
The movie is officially classified as a documentary and has rightfully been shortlisted (down to the final 15) for the Academy Award Best Documentary Feature. But it doesn’t feel at all like a traditional “non-fiction educational film.” It’s a playfully experimental memoir that is sometimes a meditation on how to go on living despite despair – “the purpose of death is the release of love,” an insightful (and not maudlin) reflection on America’s 9/11 attack, and also a witty tale on the nature of telling and remembering and forgetting. Ultimately, this is Laurie Anderson’s own love story – about her dog, her mother, her husband, and her city. It is uncommon and evocative film making and a true pleasure to watch
I think this may be the year of the documentary. There were so many interesting, important, and really well done documentaries that crossed over into mainstream film (or at least mainstream indie film). So I think it’s appropriate to name a documentary as “Best Of” this year. And the Laurie Anderson movie is truly beautiful and important as well as being surprisingly accessible (easy and fun to watch), once you start watching. And I also think this film has staying-power. It will still be relevant and worth-watching for years to come. It’s simply a great flick.
More of Helen Highly’s movie related rants and raves can also be found at HelenHighly.com
The Big Short
Matt Taylor: In a cinematic landscape filled with big budget disaster flicks it’s a rare thing for a movie to come along with actual, real world doom as part of it’s narrative. The Big Short is a sobering reminder, and revealing portrait, of the 2008 Economic Collapse. Directed by Adam McKay, who you may recognize as the wacky mind behind so many Will Ferrell films such as Anchorman and Talladega Nights, The Big Short presented it’s subject matter in such a lively, innovative way that it had to be my number one pick for Best Film of 2015.
The Woman In Gold
Charles Soste: My favorite film for 2015 after much consideration, was The Woman In Gold. It was a well-acted, brilliantly directed story of an Austrian victim of World War II seeking to retain priceless art work that was stolen from her family by the Nazis. The film was incredibly moving and what all great cinema should be. Helen Mirren was at her unsurprising best in the lead role and Daniel Bruhl and Ryan Reynolds were excellent too.
Star Wars: The Force Awakens
Cameron Dueker: Like many others, for me, my favorite movie was Star Wars: The Force Awakens. I’ve been a huge Star Wars fan since I was younger and the franchise has held a special place not only in my heart but in my life because of it. I still remember where I was and what I was doing when I heard the news the news that Disney had bought out Lucasfilm and the doubts that crept into my head shortly after. George Lucas was out. J.J. Abrams was in. Would it follow the Expanded Universe or blaze a new trail of it’s own? Could the original actors still play a role in their old age? Any New Hope that filled me was simultaneously checked with cautious trepidation of the still recent mixed bag of the prequels.
Maybe the years of reverence surrounding the original trilogy had simply set the bar for any new Star Wars films too high.
As information about the new film slowly leaked out it was clear to me these concerns were also weighing heavily on the cast and crew. You could just see the amount of love and care everybody involved was putting into The Force Awakens which only rocketed expectations into the stratosphere.
And when I finally saw the film I was blown away. It was a call back to 1977 true, but what is so wrong with that? The new characters were hugely compelling, the action was great, the story was intriguing and full of mystery’s still unsolved, and the feel was spot on with how WE all want a Star Wars film to be.
The Force Awakens may not be the best Star Wars film, Empire still holds that crown, but for me it was far, far away the best film of 2015.